Eiko Wani, who apprenticed under Toyo Kaneshige and later built a kiln in Tsuyama. He belonged to the Kaneshige school and was the last disciple of Toyo Kaneshige, the first Living National Treasure in Japan. His works have been exhibited at the Kuroda Toen Gallery in Shibuya. He also won the grand prize at the Tabe Museum (Tea Ceremony Sculpture Exhibition). I purchased this piece at his solo exhibition 30 years ago. It is a small, handled Bizen-yaki flower vase, a shape not often seen. It is not at all casual, and it is a work with a depth that can be strongly embraced even in a Japanese-style entrance. The cool feeling transmitted from the baked clay skin makes summer flowers look even cooler. It is a flower vase that, despite its small size, can be arranged to look quite large, and it is very easy to arrange flowers in. I believe this is due to the artist's consideration in the creation process, and the way branches stay in place is excellent. I think it is a powerful work that exudes a dignified presence within its simplicity. Of course, I think it can also be used as a pitcher. I love this dignified and straightforward appearance, and I am honestly hesitant to put it up for sale. As he won the grand prize at the Tea Ceremony Sculpture Exhibition, Mr. Wani's works are often works of high quality. Diameter 11.5cm Height 16cm Measured by an amateur, from the center to the handle is approximately 15-16cm. The photos look tight, but in reality, it is a little more rounded and generous. It is a work that feels the power of Mr. Wani in his younger days, close to everyday life. It is also very easy to handle and fits well in the hand. Please note that nothing other than the flower vase is included. Toyo Kaneshige Eiko Wani Takeshi Fujiwara Kei Fujiwara Kazu Fujiwara