『Karajan 1980s』～Karajan 1980s Orchestral Recordings on Deutsche Grammophon: Complete Collection (First Limited Edition) The outer box shows slight dents, but otherwise, there are no noticeable scratches or stains. It has been confirmed that all 78 CDs inside are present. The booklets, etc., are in good condition without any folds. Please feel free to ask any questions or make price reduction requests. #Karajan #Karajan #Karajan1980s Product Description: -----------------------------------------------| Karajan 1980s (78 CDs) A comprehensive collection of Karajan's non-opera albums produced by DG in the 1980s! A luxurious booklet featuring numerous photos of Karajan and articles in Japanese! The approximately 200-page luxurious booklet includes many photos of Karajan, as well as interesting articles in Japanese, such as a new interview with Mutter about Karajan. Each album is recorded with the original coupling at the time of its first release and is enclosed in a beautiful glossy paper jacket. 【Karajan 1980s】 Karajan & Berlin Philharmonic's 1980s began with the Alpine Symphony with the Berlin Philharmonic, which vividly heralded the arrival of the digital recording era, and included complete symphonies of Beethoven and Brahms, Haydn's Paris and London symphonies, Tchaikovsky's late symphonies, Bruckner's symphonies, major orchestral works by R. Strauss, Mozart and Verdi's Requiem, four violin concertos with Mutter, and the 1987 New Year's Concert, and many albums were produced, ending with Bruckner's Symphony No. 7 with the Vienna Philharmonic. Karajan's recordings of the 1980s, up to around 1981, maintained his characteristic dramatic expression, but from around 1982, due to changes in recording trends, there were many recordings that gave a sense of a grand scale rather than a sense of aestheticism, and many performances that gave the impression of a return to a natural style that emphasized the flow of the performance. Symbolic of this was Mahler's 9th, recorded live in 1982, which was a hot topic because it showed a significantly different aspect from the previously studio-recorded performance.