＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊ Thank you for visiting my page. Please read my profile to prevent any trouble. Thank you for your kind consideration. ＊＊＊＊＊＊＊＊＊＊＊＊＊＊＊ "Dressing India - The World of the Indian Saree" Edited by Yoshio Sugimoto / Minoru Mio / National Museum of Ethnology 2005, Senri Cultural Center [Table of Contents] Message R.O. Waran Fashioning India: Yoshio Sugimoto Chapter 1: The Present State of Indian Fashion The Sari: A Dynamic Fashion Template - Aarti Kawlra Fashion's Indian Modern - Hoshiko Sugimoto Chapter 2: The Homeland of Indian Imagery Consumers of Indian Fashion: Minoru Mio People Who Keep Changing Clothes: The Maharaja and Clothing as Political Language - Aya Ikegame Film and Fashion: Yoshio Sugimoto From Goddess to Muse: Yoshio Sugimoto The Musician's Sari: Yoshitaka Terada Dance and the Sari: Takako Inoue Chapter 3: The Spacetime of Fashion The Sari in Photographs: 1880s to 1940s - Fumiko Oshikawa The Politics of Gaze, or Around a Single Piece of Cloth: Masaru Kobayashi The Many Faces of the Sari: Takako Inoue The Sari: Techniques of Draping - Takako Inoue The Sari in Daily Life: Yuko Yagi The Revolution in Eastern and Western Fashion Brought by Indian Textiles: Hoshiko Sugimoto Japan Sari: Hoshiko Sugimoto Indian Chintz and Patola Brought to Indonesia: Shinobu Yoshimoto "Shibori" and "Shibori": Miwa Kanaya Patola: Keiko Yamada "India" Seen in the British City of Leicester: Riho Isaka The Popularity of the Kurta-Suluwar and Its Implications: Fashion in Nepal - Makito Minami Fashion as an NGO Brand: The Living Path of Nakshi Kantha, Embroidered Cloth from Bangladesh - Rina Igarashi Gypsy Fashion - In Search of a Free, Moving Body: Kyoko Kishitani Where People Don't Wear Saris - Christian Fashion in Goa: Kyoko Matsukawa, et al. [Shipping Information] Simple packaging will be used. [Request] Please refrain from purchasing if you are sensitive or seeking perfection in the product. #Sari #EthnicWear #India #Pakistan