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(JP¥36,400)
+NT$982 Shipping fee
+NT$64 Service fee
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Item condition
Some scratches/marks
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Japan
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ゆみちん
5/541
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This item can't be bundled due to shipping restrictions. Please buy separately.
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This item can't be bundled due to shipping restrictions. Please buy separately.
Banko-yaki Hitomi Doei Tea Ceremony Utensils Akae (Red Painting) Sencha Utensils Antique Retro ・Carefully stored in the back of a tea cabinet. ・Usage frequency is unknown. It appears to be free of chips, scratches, and stains, but we have listed it as "slightly scratched or stained" just in case. ・The wrapping cloth was damaged, so it will not be included. (It will be wrapped in something else to prevent breakage) ・Please refer to the photos for the condition and size. ●Shipping Method Packaging will use materials available at home. Waterproofing. Shipped via Rakuraku Mercari delivery. ※Anonymous delivery, shipping costs borne by the seller, date and time cannot be specified. ※Please refrain from further price reductions due to anonymous delivery. We are not a business. Due to home storage and used items, we appreciate your understanding. If you are interested, we would appreciate it. m(__)m ●Quoted text↓ (from Banko no Sato Kaikan HP) Banko-yaki began in the mid-Edo period when Nunami Rozen, a wealthy merchant from Kuwana, opened a kiln in Obuke, Asahi-cho, Mie Prefecture. Rozen stamped his works with the mark "Banko" or "Banko Fueki" so that they would last forever. That is said to be the origin of the name Banko-yaki. Banko-yaki includes a wide variety of ceramics, from tableware and flower vases that color life to industrial product molds. The variety is so rich that it is said that "the characteristic of Banko-yaki is that it has the mark 'Banko'." In a land with scarce resources such as clay, the ancestors honed their skills, conducted research, and created various products by sensitively grasping the needs of each era. Through effort and ingenuity, they have connected the tradition of Banko-yaki for 300 years and developed as one of Japan's leading pottery production areas. From the Taisho to the early Showa periods, unlike the master potters of the Meiji era, individual artists began to emerge. Mizutani Torajiro (Hekizan) of Taisho-yaki, Otsuka Saika (Kouetsu) of Akae, Hitomi Doei, Tanaka Tokumatsu (Tokindo), Kishi Enzan, and Sasaoka Shunzan were active. #BankoYaki #BankoYaki #BankoYakiAkae #HitomiDoei #TeaCeremonyUtensils #TeaCeremonyUtensilSet #SenchaUtensils #SenchaSet #TeaSet #Kyusu #Yunomi #Doei #Vintage #Antique #Antique #Crafts #TraditionalCrafts #FineArtsAndCrafts #Japan #Pottery
1 month ago