78 rpm SP records. Two 10-inch and nine 12-inch records from Columbia, USA. The two old recordings on 10-inch American discs have blue labels. All 12-inch American discs are complete first pressings with black labels. The French disc is a complete first pressing with a green label. The disc surfaces are all gleaming, like new. They are in the best possible condition, beyond compare. The recordings on each disc are as follows: [2008-M] Kreisler: Prélude et Allegro in the style of Pugnani [1] D'Ambrosio: Serenade, Op. 4 [1] [2026-M] Wagner: Albumblatt [1] Beethoven: Ruins of Athens - Chorus of Dervishes [1] [50161-D] Corelli: Violin Sonata in D minor, La Folia [2] [50187/8-D] Handel: Violin Sonata No. 4 in D major [2] [50235-D] Pugnani: Largo espressivo [2] Kreisler: Tempo di Menuetto in the style of Pugnani [2] [50273/4-D] Chausson: Poème [2] [GFX121/3] Enescu: Violin Sonata No. 3 in A minor, Op. 25, in Romanian Folk Style [3] Performers: George Enescu (violin) Edward C. Harris (piano) [1-4] Sanford Schussel (piano) [1-8] Celiny Chailley-Richez (piano) [9] [1] Recorded in New York, February-September 1924 [2] Recorded in New York, February 1929 - April 1930 [3] Recorded October 19, 1948, at Studio Albert, Paris These are all immortal masterpieces. They encompass all the sessions from the peak of Mr. Enescu's career. There is a world here that cannot be replicated by any reissue. Only a fraction of this brilliance is conveyed on LPs or CDs. This time, the two old 10-inch recordings are not complete first pressings with silver labels, but are all blue labels, which have superior sound quality due to established pressing technology. I can confidently say that such a collection in such excellent condition is unprecedented. Especially the 1929/30 black label discs, which often had internal cracks from new, and the existence of a perfect copy is a miracle in itself. The fact that six complete, flawless copies are available is a very significant point. A phantom record.