Slight discoloration on the sleeve, but the disc and other parts are clean. *Obi strips are becoming increasingly rare.
If you were looking for this, don't miss this opportunity.
A masterpiece that is remembered as a controversial and eccentric work.
Released in 1989, this is a representative album by La-ppisch.
It has a mix of new wave, punk, funk, and subculture elements,
making it quite provocative and experimental for its time.
The album has a large number of tracks,
and the entire album is structured like a collage, including skit tracks such as the "Answering Machine" series.
The provocative titles and lyrics with black humor drew both praise and criticism, but it is now re-evaluated as a cult classic.
Recommended for those who like subculture, underground, and 80s rock.
Artist: La-ppisch
Genre: Japanese Rock & Pops
Label: Speedstar
Catalog Number: VICL-644
Price: 3,204 yen (tax included)
01 Porno Porno Porno
02 H (ecchi)
03 Takasago Yattara OK♥
04 Private Beach
05 Answering Machine 1
06 Yuhigaoka
07 Margarine
08 I Saw Uncensored Photos From My Friend Yesterday
09 Answering Machine 2
10 I Like Happy Endings
11 O-keiko
12 Kaze (Wind)
13 BAKA-
14 Porno
15 Nude
16 Present
17 Porno Porno Porno Porno
18 Korogi (Cricket)
19 Answering Machine 3
20 Arigato (Album Version)
21 Sonkei no Nen (Respect)
22 Akasen Ro
23 Bunmei (Civilization)
24 Akasen I
25 Zakuro (Pomegranate)
26 Iro Koi (Colored Carp)
27 Fūsen Ojisan (Balloon Man)
28 Daha (Breakthrough)
La-ppisch (レピッシュ)
Formed in 1984 by members of a techno band and a punk band that were active mainly at Shinjuku ACB. The original members were MAGUMI (vo, tp), Kyoichi Sugimoto (g), Gen Ueda (key, sax), TATSU (b), and Yuki Yoshimi (ds). They gained attention for their ska-core/mixture rock sound and made their major debut with the single "Payapaya" in '87. They enjoyed high popularity, but in the 2000s, Ueda and Yoshimi left the band. Solo activities became active, and they went on hiatus after 2003. They restarted their activities in 2007, the 20th anniversary of their debut. Although Ueda passed away shortly after, they have continued their activities, mainly live performances, on an irregular basis.
Masterpiece Subculture