This special feature is on "Copyright." With the environment surrounding creation drastically changing since the advent of the internet, including the "plagiarism" scandals and illegal content distribution issues that have been making waves on social media, this feature re-examines originality, authorship, the protection and use of copyrighted works, and other various perspectives on "copyright." ▼ Table of Contents of the Latest Issue 34 Copyright and Originality — Lyricist Junji Ishiwatari × "Advertising" Editor-in-Chief Naoki Ono 35 Does Copyright Benefit Culture? 36 Shanzhai (Plagiarism) — Translated and reprinted from the Chinese Wikipedia "Baidu Baike" 37 Plagiarism and China — Interview with Ai Jun, a plagiarism culture researcher 38 "Genuine and Fake" in China and Japan — Interview with Xiaxia Chen 39 What Copyright Means to a Chair — Examining the originality of the chair in Wegner's "Y Chair" 40 No Masterpiece Exists Without Quotation — "Sublimation" and "Homage" in Film 41 The Hierarchy of the Literary World and the Boundaries of "Plagiarism" — Interview with novelist Masahiko Shimada 42 How to Find Your Own Style Within a Genre — Interview with Rakugo storyteller Ichinosuke Shunpūtei 43 Contracts That Enhance Creativity — Photographer Gottingham's Vision of Collaborative Copyright 44 Vibrating Copyright 45 The Authorship of a Producer — Interview with Kenji Tamai, Representative of Agehasprings 46 The Identity of Organizational Copyright — Why Precure Continues to be Loved 47 Why is Japan Bad at the Content Business? 48 Monopoly or Sharing? 50 Years of Patents and IT 49 Fashion Law Fighting Against Copies 50 Contemporary Art and Fair Use — Copyright Law Addressing Appropriation 51 Does Copyright Management Revive or Kill Music Culture? 52 Copyright in the Future — Lawyer Yu Mizuno × Takayuki Fukatsu, Representative of THE GUILD × "Advertising" Editor-in-Chief Naoki Ono 53 Cultural Genes Want to Reproduce Freely