Eureka April 2021 Issue Eureka April 2021 Issue The World of Choju-giga / Seidosha / 2021 / 143x220mm / 334 pages / Softcover * Contents are clean, but there are faint sticker marks on the front and back covers. Please see photos. ● Contents, Special Feature: The World of Choju-giga Painters Play with Caricatures: Akira Yamaguchi, Kōno Fumiyo Re-examination of the Production Period of "Choju-giga": Takahiro Tsuchiya What it Means to "Read" Choju-giga: Daisuke Ito Anticipated Like a Target, Traced Back Like an Arrow: Hiromichi Usami Premises of Scrolls A and B of "Choju-giga": Seitetu Itakura Iconography and Sources in "Choju-jinbutsu-giga": Picture Scrolls Without Words: Takako Tanaka Theme and Worldview of Scroll B of "Choju-giga": Satomi Yamamoto A Tentative Theory on "Choju-giga": The Chain of Caricature and Creation: Nobuhide Mito Did Saikō Ejima Inherit "Choju-jinbutsu-giga"? Nobuo Nakatani Kuniyoshi, Kyōsai, and the Lingering Scent of "Choju-giga": Hiroyuki Kano "Manga" as Rangaku (Dutch Learning): Eiji Otsuka On the "Kemono-like" Cuteness of "Choju-giga": Tetsuya Matsushita Methodology of Manga Translation and the Dynamics of "Choju-jinbutsu-giga Emaki": Tadahiro Yamamoto Kōno Fumiyo's "Gigatown Manpu Zufu" and "Choju-jinbutsu-giga": Yū Itō Insect Caricatures (Scroll A + Fragment + Borrowing Scenes from Copies): Ayuko Akiyama Self-Portraits of Living Creatures: Tori Shōgasawara National Treasure Choju-jinbutsu-giga: Shin Fukunaga The Frenzy of Hōgen and Heiji, and Adunata: Hiroshi Takayama Systematics of Choju-giga: Nobuhiro Miura The Framework of "Choju-giga": Shinkai Ogino Choju-giga and Jinbutsu-giga: Yoshihiko Maeno Pre-modern European Animal Representation and Personification Considered from "Choju-giga": Shunichi Ikegami Choju-jinbutsu-giga, the Dog of Suigen: Mitsuho Ikeda Choju-giga Cannot Be Called Animistic: Ryuhei Hirota The Leap of the Rabbit: Shigemi Inaga A Teacup of Choju-giga: Yuta Nakamura Facing the Snake, Both the Frog and I Were Human: Kyoko Nakamura The Honeymoon of Bears and the Ainu: Akiko Haruki Explanatory Notes on "Choju-giga": Harue Saotome