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madam SUM
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Some scratches/marks
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Japan
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This work is a silver cross in the style of the "Ethiopian Cross," which is passed down in the Ethiopian Orthodox Tewahedo Church. Its design originates from the acceptance of Christianity in the Kingdom of Aksum, dating back to the 4th century. Ethiopia, along with the Roman Empire and Armenia, was one of the earliest regions to accept Christianity as a state religion. Subsequently, while influenced by the Byzantine world, it developed its own theological symbolic system. The features seen in this work are as follows: * Lattice-like infinite chain patterns (interlace) * Geometric openwork * Symbolic structure concentrated in the center * Three-dimensional carving with thickness These patterns are not mere decoration. They are theological geometry symbolizing "God's eternity," "the order of creation," and "the Trinity." While Western Christianity moved towards realism, the Eastern Church delved deeper into symbolism and geometry. This cross is precisely in that lineage. Furthermore, it can be confirmed that it was not mass-produced by casting, but rather that openwork was applied by hand carving after casting. The thickness with chisel marks suggests the possibility that it is an individual that was actually carried for prayer. Estimated Period: Early to mid-20th century (Work done before the commercialization of tourism) Size: 7cm x 3.8cm While tourist-oriented replicas are rampant in the modern market, this work differs in its structural tension and depth of carving. This is not an ornament, but rather theology to be carried. For collectors interested in religious art, Eastern Church history, Byzantine art, and the lineage of Ethiopian manuscript culture.
5 hours ago