Hans Hoyer French horn mouthpiece "2", silver-plated. It has a precise engraving "MEISTER HOYER 2". Although it is a new, unused item, the outer box is not included. The appearance is designed to resemble Vincent Bach's New York-Bronx era to Mount Vernon era mouthpieces, with no constriction in the center of the body and a shape that smoothly connects from the outer rim to the shank. As a result, compared to standard horn mouthpieces, it has a slightly heavier body, and you can feel a little weight when you hold it in your hand. It doesn't feel extremely heavy. The shank is an American shank, and it is an easy-to-handle shank that fits many manufacturers' horns, such as Hans Hoyer, Yamaha, Wenzel Meinl, Conn, Holton, Paxman, and io. Although the detailed specifications are unknown, the inner rim diameter is about the standard 17.5mm. It has a slightly flat shape with a standard thickness. The inside of the rim has a moderate edge. The rim, which is not too thick, allows for good lip control, and also has the effect of reducing missed notes in phrases that include many leaps. The cup has a standard depth, and it is a shape that is a slightly U-cup-like V-cup, and I think it is an excellent design that has the good parts of both U-cup and V-cup. The inside of the cup deliberately has faint hairline-like lathe processing marks, and I have heard that the subtle, complex scattering of the flow and resonance of the breath within the cup creates a good tone. The bore (throat) is probably about 4.4mm to 4.5mm. The tip of the shank is slightly thin, and it has a very precise and beautiful finish. The tone is dark and has a rich, attractive sound. The fact that the mouthpiece itself has some weight seems to have an effect, and it produces a low-pitched tone and volume. Since the tone does not break down even at ff (fortissimo), it seems to contribute to large-scale performances. The cup is not too shallow, so the high range can be played relatively easily.